New York: Dodd, Mead, 1969. First Edition. Fine in dust jacket.

London: Chatto & Windus, 1960. First Edition. Bottom of front cover bumped, else fine in a slightly worn dust jacket. Basis for the film of the same title.

Mostly 1930s, consisting of 16 large (approximately 8 1/4 x 10 1/2”) swatches of doped (treated) fabric, held together with a steel clip, from wings or fuselages of identified airplanes...

New York: New Directions, 1960. First Edition; one of 750 numbered copies signed by Kerouac. Some soiling of the boards and spine fading; very good in the original acetate dust jacket (chipped).

London: Jonathan Cape, 1958. First Editions. Two copies; one with the woman on the cover and another in undecorated cloth; very good to fine copies in dust jackets. No priority...

Cincinnati: John Church Co. 1914. First Edition of this musical score; with lyrics by Fitzgerald. Bruccoli A2; preceded only by a script printed for the cast. Publisher's printed stiff wrappers...

Washington: Printed at the Congressional Globe Office, 1867. First Edition. Original wrappers; minor foxing and wear; an excellent copy, complete with the folding map inside the front cover (short tear...

New York: Advertising Department/ Collier’s Weekly, 1913. First Edition; publisher’s vellum spine with paper title label, and boards. Very minor soiling and wear; nearly a fine copy of a rare...

New York: The Merriam Company, n.d. [1894]. First American Edition. Very light foxing; an exceptionally bright and fine copy.

Boston: Luce, 1921. First Edition. Fine in a lightly worn price-clipped dust jacket.

London: Heinemann, 1957. Later edition. A very good copy. Presentation copy; inscribed by the author, "For Betty and Gerard Wellesley with many thanks this pot pourri (some say de chambre)...

Oxford: Bruno Cassirer, 1954. First English Edition. Minor foxing, else near fine in very good dust jacket with foxing and some small chips. Basis for a 1969 mini-series.

London: Chapman & Hall, 1930. First Edition. A fine copy in a very good dust jacket with some small chips, not affecting illustration or lettering and with very minor internal...

New York: Harper & Brothers, 1928. First Edition. Near fine in dust jacket. An innocent woman in the big city.

New York: Atheneum, 1970. First Edition. Basis for the 1980 film of the same title. Fading and spotting; very good in dust jacket. Presentation copy; warmly inscribed by the author.

Boston: Little, Brown & Company, 1983. First Edition. One of 32 specially bound and cased copies reserved for the artist; signed by Karsh, and including an original signed print. This...

London: Samuel French, 1907. First Edition; third issue (per Green and Gibson’s Addenda in the second edition of their bibliography). Publisher’s wrappers; very good.

New York: C.H. Webb, 1867. First Edition; first printing of Twain’s first book. This copy is in the publisher’s original blue cloth, very possibly the rarest of the various binding...

New York: Appleton, 1923. First Edition. Publisher’s file copy; with their stamp on the front free endpaper; near fine in a very good dust jacket. The wraparound jacket illustration depicts...

New York: Bernard Geis, 1966. First Edition. A fine copy in a very good dust jacket. Inscribed by the author in 1966. A highlight of bestselling trashy fiction.

New York: Dodd, Mead, 1971. First Edition. Fine in dust jacket.

Indianapolis: Bobbs-Merrill, 1913. First Edition. A fine copy in a dust jacket with a large chip in the back panel.

Indianapolis: Bobbs-Merrill, 1913. First Edition. Minor foxing; near fine in a very good, soiled dust jacket. With color illustrations by Wyeth.

New York: Doubleday, Page, 1906. First American Edition; first illustrated edition. A novel for adults; a "...powerful story of art and social life in Paris..." Near fine in the rare...

Culver City: MGM Studios, 1934. Original dupicated script for the 1935 film. This copy was originally designated for the use of the research director, but was later utilized to produce...

New York: Harcourt, Brace, 1935. First Edition. Near fine in a dust jacket with minor soiling and some tiny chips; with an unfaded spine; a better than usual example. The...

New York: Sun Dial Press, 1941. Reprint edition. A very good copy in dust jacket; in a custom cloth clamshell box. Presentation copy; inscribed by the author to William Faulkner's...

London: Collins, 1939. First Edition. Bookplate; light foxing and cloth fading; very good plus in a very good dust jacket with some tears and chips, the most serious of which...

New York: Thomas Kelly, 1874. Approximately 26 x 20”; contemporarily framed and glazed, overall approximately 25 x 30”; the frame is wood with an inner moulding in gilt (some scrapes...

New York: Knopf, 1940. First Edition; advance reading copy in wrappers. Haycraft-Queen cornerstone, and, in the opinion of many, his best book. Only minute wear; a fine copy with the...

London: Jonathan Cape, 1961. First Edition. Near fine in dust jacket. Presentation copy; inscribed by the author, “To Jonathan Miller from the Author.” Fleming, an antiquarian book collector himself, was...

New York: Viking, 1938. First Edition. Near fine in a dust jacket with very light wear and tear.

London: Constable, 1936. First Edition. Goldstone bookplate; minor stains on endpapers; very good or better in dust jacket.

Each drawing measures approximately 13 x 8”, framed, matted, glazed, and captioned in ink on separate pieces of paper, overall 15 x 22”. One scene is captioned “The Smallweed Family/...

London: T. Werner Laurie, 1924. First Edition; quarto; one of 1000 numbered copies signed by Chatterton. A little foxing; fine in a dust jacket with minor wear.

Inscribed by Harding (undated, but almost certainly while President) to a Massachusetts Republican politician, “For Matthew Whittall with cordially good wishes. Warren G. Harding.” Framed and glazed; overall approximately 15”...

London: Hogarth Press, 1958. First Edition. A fine copy in dust jacket; with the wrap-around “Book Society” band.

Four of five letters from 1964-1965 (on Congressional or Minority Leader stationery) concern his Portrait of the Assassin; “...I’m sure you appreciate that because of the classified nature of the...

London: Elkin Mathews, n.d. [c. 1901]. First Edition. Presented in the style of juvenile drama (meant for the toy, miniature, theatre), but written for adults; printed wrappers with a hand-colored...

New York: Alfred A. Knopf, 1949. First Edition. Near fine in a very good dust jacket. Presentation copy; inscribed by the author to his publisher at Knopf, “To Nat [Zecher]...