New York: George H. Doran, 1923 & 1927. First American Editions; two volumes. Volume one is very good in a very good dust jacket, which is chipped and has an...

New York: Dutton, 1951. First Edition. Inscribed by the author on the front free endpaper in fountain pen, “Hi Ruby - Sorry I didn’t get to see you - but...

Boston: Little, Brown, 1951. First Edition. Minor cloth stains; very good or slightly better in a very good dust jacket with some small chips at the top edge and very...

London: Adam & Charles Black, 1908. First Edition. The color pictures and text are by Rawnsley. Bookplate; minor foxing; about fine in a very lightly worn dust jacket.

Tarzana: E.R.B. Inc. 1932. First Edition. Very good plus in dust jacket.

New York: Jonathan Cape & Harrison Smith, 1931. First Edition. Bottom edge a little worn, else near fine in a dust jacket with a tiny chip at the bottom right-hand...

New York: George H. Doran, 1917. First American Edition. A near fine copy in a very good dust jacket with a number of chips and tears. The largest chip at...

New York: Meredith Press, 1967. First Edition. Fine in dust jacket.

New York: Simon and Schuster, 1968. First Edition. Fine in a dust jacket with a little browning. In a custom cloth slipcase.

New York: Thomas Seltzer, 1922. First Edition; preceding the English edition. Fine in a lightly used dust jacket with a small interior tape mend.

London: Selwyn & Blunt, n.d. [1933]. First Edition of this anthology, ninth in the Not at Night series. Some of the stories first appeared in Weird Tales. Very good in...

Boston: James R. Osgood, 1883. First American Edition; probably issued a few days earlier in London; first state, with the “St. Louis Hotel” caption and the illustration of Mark Twain...

New York: Horace Liveright, 1929. First Edition of the author’s first book. In the presumed first binding; worn and chipped at the spine ends; a good copy in a worn...

New York: Putnam’s, 1984. First Edition of this peep show. Very good plus.

London: Sands & Company, 1900. First Edition. One of the least common Queen's Quorum titles. Rear hinge starting; minor bumping and wear; very good or better; in a custom quarter-morocco...

New York: Doubleday, Doran, 1940. First Edition. Very good or a little better in a very good dust jacket. wth a faded spine.

London: Heinemann, 1955. First Edition. Aside from a little foxing and some faint cloth spotting, a fine copy in a dust jacket with foxing on the verso, showing through a....

Philadelphia: Lippincott, 1899. First American Edition. Aside from minute rubbing, a fine copy. While the English edition is dated 1898, and presumed to precede, this copy has a pencil gift...

New York: B.W. Huebsch, 1914. First Edition of this purported autobiography of a prostitute. The introduction is strongly feminist, “A new era has come. The Sisterhood of Woman is the...

New York: Advertising Department/ Collier’s Weekly, 1913. First Edition; publisher’s vellum spine with paper title label, and boards. Very minor soiling and wear; nearly a fine copy of a rare...

London: Collins, 1939. First Edition. Bookplate; light foxing and cloth fading; very good plus in a very good dust jacket with some tears and chips, the most serious of which...

Boston: Little, Brown & Company, 1983. First Edition. One of 32 specially bound and cased copies reserved for the artist; signed by Karsh, and including an original signed print. This...

New York: Robert Ballou, 1933. First Edition. Just a touch of fading at the edges; a fine copy in a dust jacket with two tiny tears at the bottom of...

New York: Harcourt, Brace, 1922. First Edition; first state. A small hole in the front hinge; minor edge spotting; a very good copy. Presentation copy; inscribed by the author, “To...

New York: New Directions, 1958. First American Edition. Review copy; fine in dust jacket.

London: W. & R. Chambers, n.d. [1913]. First Edition; publisher’s illustrated cloth; very good.

New York: Harcourt, Brace, 1932. First American Edition. A fine copy in a very lightly used dust jacket; in a custom quarter morocco slipcase; presentation copy; inscribed by Woolf two...

Paris: Arthaud, 1953. First French Edition. Publisher’s wrappers; a little musty; near fine in a very good dust jacket. Gratefully inscribed by Harrer to his American publisher “to whom I....

Boston: Little, Brown, 1933. First Edition. Very good plus in dust jacket. The author became a popular writer on anthropology.

New York: Ivan Obolensky, 1964. First Edition. Publisher’s wrappers; fine. Review copy; with the publisher’s slip laid in.

Indianapolis: Bobbs-Merrill, 1913. First Edition. A fine copy in a dust jacket with a large chip in the back panel.

London: Samuel French, 1907. First Edition; third issue (per Green and Gibson’s Addenda in the second edition of their bibliography). Publisher’s wrappers; very good.

New York: Dodd, Mead, 1928. First American Edition. Front hinge weak, else near fine in a bright and clean dust jacket with a crease down the center of the spine.

Indianapolis: Bobbs-Merrill, 1951. First Edition of the author’s first book. Aside from a small tear in the front free endpaper, a fine copy in a dust jacket with minor wear...

New York: E.P. Dutton, 1989. First Trade Edition (there was a Franklin Library Edition with an unspecified limitation). A near fine copy in a slightly faded dust jacket. A Mike...

New York: Alfred A. Knopf, 1964. First edition; first issue. A fine copy in a dust jacket with minute wear. One of a few children’s books of the last half...

New York: Viking, 1955. First Edition. A little bumped, else about fine in a very lightly rubbed dust jacket.

New York: Huebsch, 1918. First American Edition. A fine copy in a dust jacket with minor wear and tear and a small gouge in the center of the spine in...

London: Chapman & Hall, 1930. First Edition. A fine copy in a very good dust jacket with some small chips, not affecting illustration or lettering and with very minor internal...

Garden City: Doubleday, Doran, 1930. First Edition. About fine in a dust jacket with a little spine fading and a long, closed tear in the back panel.