Wie Baut Amerika?
Stuttgart: Julius Hoffmann, 1927. First Edition. Die Baubucher Band 1, published two years before Neutra emigrated to the United States. Some offsetting to the printed wrappers; a very good copy. More
[Book #36930P]
Stuttgart: Julius Hoffmann, 1927. First Edition. Die Baubucher Band 1, published two years before Neutra emigrated to the United States. Some offsetting to the printed wrappers; a very good copy. More
[Book #36930P]
Scarsdale, New York: Morgan & Morgan, 1951. First Edition. Very good or a little better; presentation copy; inscribed by Neutra. More
[Book #36929P]
Stuttgart: Julius Hoffmann, 1927. First Edition. Baubucher Band 2. Some age toning, else a fine copy in printed wrappers, and the uncommon pictorial dust jacket. More
[Book #36928P]
New York: Time-Fortune, Inc., 1930. Publisher’s wrappers; the first issue of an exceptionally well-produced publication, especially notable given the dire economic troubles of the time. Very good in the very uncommon original cardboard mailing carton (addressed). More
[Book #36927P]
Chicago: University of Chicago Press, 1948. First Edition. Inscribed in 1948 by the author on the front free endpaper and signed by the author and subject on the final blank leaf, which is numbered 1463. Near fine in a worn and torn dust jacket. More
[Book #36926P]
Cincinnati: Reprinted by Permission from the London Art Journal, n.d. [c. 1898]. Illustrated wrappers (the front and back wrappers are different designs); a little creased and nicked; very good. More
[Book #36925P]
New York: Wittenborn and Company, 1944. First Edition. Robert Motherwell edited this series, “the documents of modern art.” Presentation copy; inscribed by the designer, “12/22/44/ To Gene/ Best wishes and regards/ Paul Rand.” This is the designer’s first book, preceded by periodical work; he is credited on the copyright page..... More
[Book #36924P]
Boston: Ticknor & Co., n.d. [c.1883]. A cloth folder, approximately 10 x 14”, when open displaying a sample cover poster for the periodical (”For Sale Here”), including a mounted “gelatine” photograph detail of Richardson’s Austin Hall at Harvard (”Specimen of Gelatine Plate, Issued with the Gelatine Edition”). Opposite is a...... More
[Book #36923P]
New York: Samuel French, 1947. First Edition. Ownership signature; slight stain on fore-edge; a fine copy in a dust jacket with minor wear. More
[Book #36922P]
New York: McGraw-Hill, 1961. First Edition. Near fine in dust jacket; warmly inscribed by the author. More
[Book #36921P]
Indianapolis: Bobbs-Merrill, 1913. First Edition. Minor foxing; near fine in a very good, soiled dust jacket. With color illustrations by Wyeth. More
[Book #36920P]
London: Constable, 1924. First Edition; second issue. Bookplate; very good plus in dust jacket. More
[Book #36919P]
London: Marion Boyars, 1975. First English Edition. Pages a little browned, else fine in a price-clipped dust jacket. Signed by the author. More
[Book #36918P]
New York: Delacorte, 1978. First Edition. Aside from a little cloth spotting, fine in dust jacket. More
[Book #36917P]
New York: Random House, 1962. First Edition. Review copy; presented by the author two days prior to publication. Fine in a very good dust jacket. More
[Book #36916P]
Philadelphia: Lippincott, 1932. First American Edition. A fine copy in a dust jacket with very slight spine browning and some tiny nicks. An excellent example. More
[Book #36915P]
New York: Simon and Schuster, 1956. First Edition. Presentation copy; inscribed by the author at Christmas (in his late, “blind hand”). Very good to fine in dust jacket. More
[Book #36914P]
Boston: Houghton, Mifflin, 1965. First American Edition. Owner’s signature; very good in dust jacket. More
[Book #36913P]
New York: The Eakins Press Foundation, 1976. First Edition. One of 2000 copies printed at the Meriden Gravure Press. This is the printer’s copy with the company bookplate on the front pastedown. A fine copy in the heavy cloth binding, which has some soiling of the front and rear panels..... More
[Book #36912P]
New York: Simon & Schuster/ Verve, 1955. First Edition; published in cooperation with Verve; printed in France. Folio; only minute wear; a fine copy in the rare “transmatic” dust jacket. These dust jackets employed clear plastic, usually acetate, with printed paper flaps. Highly fragile, often perished or defective, this example..... More
[Book #36911P]
Paris: Andre Sauret, 1963. First Edition; large quarto; publisher’s stiff printed wrappers with glassine; one of 150 numbered copies signed by the artist and the publisher and with two original lithographs created for this publication, each numbered and signed by Chagall. Fine in the original cloth slipcase (some fading) and..... More
[Book #36910P]
Paris: Alain A.C. Mazo, 1972. First Edition; one of 800 numbered copies (this is number 800) printed on Arches paper. As issued in unbound sheets in a printed paper wrapper; in a folding cloth box; only very minor wear and browning to the wrapper and the box; a fine set..... More
[Book #36909P]
New York: Scribner's, 1890. First American Edition; deluxe, large-paper issue; one of 250 numbered copies signed by Stanley. Two volumes; publisher's vellum and leather; owner’s signatures in each volume; staining and wear; only a good set. Stanley's fame was made by James Gordon Bennett's commission sending him to search for..... More
[Book #36908P]
New York: Macmillan, 1932. First Edition. Very nearly a fine copy in a worn, chipped and mended dust jacket. Inscribed by Hine to his nephew, a model in a number of his photographs, “George Rich - Lewis W. Hine - also Sara and Cordy.” Included is Rich’s copy of the..... More
[Book #36907P]
New York: Macmillan, 1932. First Edition. Cloth faded and waterstained; minor page waterstaining; a good copy. Inscribed by Hine shortly after publication, “Harold Rugg/ New York City/ From L.W.H. Oct. 18, 1932.” A fine association; Rugg was then teaching at Columbia, and was eventually hounded from public life for harboring..... More
[Book #36906P]