The American Mercury, March, 1929
Publisher’s wrappers. Contributions include Mead’s “Americanization in Samoa,” among others. Edited by Mencken. Very good in a custom slipcase. More
[Book #35522P]
New Arrivals
The American Mercury, April, 1928
Publisher’s wrappers. Contributors include DeCasseres and Jim Tully. Edited by Mencken. Very good in a custom slipcase. More
[Book #35521P]
A Significant Run of The American Spectator: A Literary Newspaper
New York: The American Spectator, Inc., 1932-1934. Edited by Nathan, Boyd, Cabell, Anderson and O’Neill, with contributions by a wide range of literary figures. Comprising the following: Vol. I, No 1 (two copies), Nos. 2-12; Vol II, Nos. 13-21; Vol. III, Nos. 22-25, 28 & 29. Most of the early..... More
[Book #35518P]
"Tomorrow" in The Seven Arts, June, 1917
Publisher’s wrappers; cover detatched, chipped, only fair, in a custom slipcase with a leather spine and a red morocco title label. Other contributors included Bodenheim and Sherwood Anderson. More
[Book #35517P]
"All God's Chillun Got Wings" in The American Mercury, February, 1924
Publisher’s wrappers; a little fading; good to very good in a custom slipcase with a leather spine and a red morocco title label. With contributions by Cain, Sherwood Anderson, Van Doren, and more. More
[Book #35515P]
"All God's Chillun Got Wings" in The American Mercury, February, 1924
Publisher’swrappers; a little fading; very good in a custom slipcase with a leather spine and a red morocco title label. With contributions by Cain, Sherwood Anderson, Van Doren, and more. More
[Book #35514P]
Remarks on the Art of Making Wine..
London: Longman, Hurst, et al, 1817. “Second Edition.” Publisher’s boards with a printed spine label; endpapers renewed at an early date; uncut; ownership signatures on the half-title and title page; minor markings; generally a decent, very good copy, unusually close to as it was issued. More
[Book #35511P]
Two Years Before the Mast
New York: Harper & Brothers, 1840. First Edition; BAL 4434; “asserted and generally accepted” (but not definitively established) second printing; binding B (tan muslin); state 3 (no priority is established or suggested regarding either binding or the three known states of the muslin). These points are often erroneously referred to..... More
[Book #35510P]
The Emperor Jones
New York: Boni & Liveright, 1928. Special edition; illustrated by Alexander King; one of 750 numbered copies signed by O’Neill. Near fine in a very good plus dust jacket and a broken publisher’s slipcase; in a custom clamshell box with a leather spine and red morocco label titled in gilt..... More
[Book #35508P]
Mourning Becomes Electra
New York: Boni & Liveright, 1931. First Edition. Except for very minor tape strengthening at the interior of the spine ends, nearly fine in dust jacket. More
[Book #35507P]
Mourning Becomes Electra
New York: Boni & Liveright, 1931. First Edition. Very good plus in dust jacket. More
[Book #35506P]
Lazarus Laughed
New York: Boni & Liveright, 1927. Special edition; one of 750 numbered copies signed by O’Neill. Very good or better in a mediocre publisher’s slipcase; in a custom clamshell box with a leather spine and red morocco label titled in gilt. More
[Book #35505P]
Ah, Wilderness!
New York: Random House, 1933. First Edition. Nearly fine in dust jacket. More
[Book #35503P]
Ah, Wilderness!
New York: Random House, 1933. First Edition. Offsetting on the front endpapers; nearly fine in dust jacket. More
[Book #35502P]
Dynamo
New York: Horace Liveright, 1929. Limited Edition; one of 775 numbered and signed copies. Spine faded, else very good or slightly better in the original slipcase, which is very good. In a custom clamshell box with a leather spine (rubbed towards the bottom) with a red morocco gilt-titled label. More
[Book #35500P]
Strange Interlude
New York: Boni & Liveright, 1928. First Edition. Fine in a dust jacket with a little tearing and chipping at the top of the spine. More
[Book #35498P]
Days Without End
New York: Random House, 1934. First Edition; limited issue; one of 325 numbered and signed copies. Publisher’s leather (rubbed at the spine extremities); very good or better in a mediocre, broken publisher’s slipcase. In a custom clamshell box with a leather spine and a red morocco gilt-titled label. More
[Book #35497P]
Days Without End
New York: Random House, 1934. First Edition. Presentation copy; inscribed by the author in the month of publication to a member of the original cast, “To Stanley Ridges - A token of a grateful author’s thanksgiving that “Loving” became all that he had dreamed him to be! Eugene O’Neill. Jan..... More
[Book #35495P]
Mourning Becomes Electra
New York: Horace Liveright, 1931. Special edition; one of 500 numbered copies signed by O’Neill. Publisher’s vellum; nearly fine in a shattered, worn publisher’s slipcase; in a custom clamshell box with a leather spine and a gilt-titled red morocco label. More
[Book #35494P]
Lazarus Laughed
New York: Boni & Liveright, 1927. First Edition. Fine in dust jacket. More
[Book #35493P]
Eugene O'Neill Poems: 1912-1944
No place of publication [New York]: Ticknor & Fields, n.d. [1980]. First edition; uncorrected proof. Publisher’s printed wrappers; about fine in a custom slipcase with a leather spine and red morocco title label. More
[Book #35492P]
The Last Will and Testament of an Extremely Distinguished Dog
Worcester: St. Onge, 1972. Miniature book; one of 1000 copies. Fine. More
[Book #35491P]